Spring 1984 Mary McFadden Dusky Pink & Gold Pleated Juliet Sleeve Dress designer-zandra-rhodes The skirt is two full

The skirt is two full layers over each other so you get fullness whether you wear a crinoline or not (as pictured

There are two layers of silk chiffon that float over the inner lining

Gaultier’s aim was not to replicate the past: “It’s not modern to do an exact copy

The silk is strong and the cut will fit a variety of sizes - I have sized it as a Med-Lrg

The gown is unlined

Spring 1984 Mary McFadden Dusky Pink & Gold Pleated Juliet Sleeve Dress designer-zandra-rhodes The skirt is two fullThis dramatic and full sleeve dress by Mary McFadden has a definitive Elizabethan feel to it. The Juliet sleeves are full and exaggerated to the extreme and give the dress its main focal point. A wide metallic gold panel runs down the upper part of each arm and acts as a touch of support to the fullness that runs from the shoulder to the elbow. There is inner built in structure inside each sleeve to help hold the shape. Beneath that, the sleeves