Seated Figure NO.40 how everything
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Seated Figure NO.40 how everythingJerome Kaplan gradually broke with traditional canons of printmaking, particularly the production of editioned lithographs, to explore more private realms of artistic expression. Magnifying the autobiographical preoccupations of his earlier work, Kaplan's art became increasingly introspective beginning in the mid 1980s. At the same time, his experimentalism consistently challenged accepted notions of finish. It is this powerful fascination with
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