The Home Front Female KAZAN (art beat

KAZAN (art beat

Stripped of inhabitants this hybrid city appears silent yet strangely resonant

Edited by Rainer Judd and Flavin Judd

serves as a roadmap for confronting identities that had previously felt fixed and immutable and in this collection Broomberg encountered the poem ‘Glitter in My Wounds’

and his deep interest in the possibilities of design in a world of mass-production

The Home Front Female KAZAN (art beatKen Gravess idiosyncratic photographs capture the humour and pathos of America in the transitional era of the 1960s and 1970s. Looking in from the margins, Graves highlights the contradictions inherent in America and its culture moulded equally by idealism and decline. He simultaneously examines and dismantles those myths, and plays out the tension of the American dream against the backdrop of a gritty reality. Graves uses photography as a tool to