Yemenja David Stephens the print work continues to

the print work continues to connect to my high technology interest with more traditional ideas

with each opening meant to function as a coherent unit as well as a fraction of the whole

This temporal theme is well adapted to the techniques of offset lithography

She explained each of the sculptures

Three Fates at the Edge of the Garden of Eden suggests the point in an individual's life when knowledge and free will begin to work with fate to create a destiny

Yemenja David Stephens the print work continues toFrom the Artist The subject of this print, Yemenja, grew out of research on African art and a sabbatical trip with my wife, Thomasena, to the Sacred Forest of Oshogbo, Nigeria, where we first encountered Yemenja. I had given a lecture on "African American Art and Artists" at the African Studies Center of the University of Ibadan. On the next day, the director, Bob Armstrong, invited us to go with him to Oshogbo, where we could meet Susan Wenger and